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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Mon, 28 May 2012 05:22:58 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Blog</title><subtitle>Blog</subtitle><id>http://www.philipwood.com/blog/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.philipwood.com/blog/"/><link rel="self" type="application/atom+xml" href="http://www.philipwood.com/blog/atom.xml"/><updated>2012-01-30T22:54:28Z</updated><generator uri="http://www.squarespace.com/" version="Squarespace Site Server v5.11.81 (http://www.squarespace.com/)">Squarespace</generator><entry><title>HABIT—Morey Talmor</title><category term="Habit"/><category term="Morey Talmor"/><id>http://www.philipwood.com/blog/2012/1/30/habitmorey-talmor.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/30/habitmorey-talmor.html"/><author><name>Philip Wood</name></author><published>2012-01-30T22:53:23Z</published><updated>2012-01-30T22:53:23Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><img title="habit1.jpeg" src="http://www.philipwood.com/resource/habit1.jpeg?fileId=16324556" border="0" alt="Habit1" width="450" height="277" /></p>
<p>Nice concept from Habit executed by Brooklyn based&nbsp;<a href="http://www.moreytalmor.com/" target="_blank">Morey Talmor</a>, not sure if it's an up and running company yet, (me thinks not) but would love to see it's point of sale display system, I'm thinking Damian Hirst&nbsp;<a href="http://www.tate.org.uk/pharmacy/" target="_blank">Pharmacy</a> style.</p>
<p>Last pharmacology brand rethink that I liked was Richard Fine's&nbsp;<a href="http://www.helpineedhelp.com" target="_blank">Help</a> which has grown leaps and bounds since we first encountered him three or four years ago. There's much talk about how the disruptively of technology start up world is about to rethink healthcare and provision, I'm hoping that if and when someone does improve the system they can do it with some design sensibility too.&nbsp;More pics after the jump...</p>]]></summary></entry><entry><title>3020 Laguna St</title><category term="Amir Mortazavi"/><category term="Architecture"/><category term="Art"/><category term="Chris Fraser"/><category term="Highlight Gallery"/><category term="Laguna St"/><id>http://www.philipwood.com/blog/2012/1/26/3020-laguna-st.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/26/3020-laguna-st.html"/><author><name>Philip Wood</name></author><published>2012-01-26T15:09:15Z</published><updated>2012-01-26T15:09:15Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><img title="PART1_Projects_3020_Laguna_St.In_Exitum.1.jpg.jpg" src="http://www.philipwood.com/resource/PART1_Projects_3020_Laguna_St.In_Exitum.1.jpg.jpg?fileId=16249336" border="0" alt="PART1 Projects 3020 Laguna St In Exitum 1 jpg" width="435" height="300" /></p>
<p> </p>
<p>Highlight Gallery's most recent project has been to invite nine artist to produce site specific work at a property in San Francisco's Cow Hollow district. Entitled <a href="http://highlightgallery.com/project/new-project/works-in-project/">3020 Laguna St</a> the work appears as a series of architectural interventions into the house in sometimes subtle yet telling investigations and propositions. The project launch is January 28th 3pm-7pm, congratulations to Amir Mortazavi.</p>
<p>Featured here (and more images after the jump) is Chris Frazer's Outline</p>]]></content></entry><entry><title>ARCHIZINES</title><category term="ARCHIZINES"/><category term="Architecture"/><category term="Design"/><category term="Design"/><category term="Magazines"/><id>http://www.philipwood.com/blog/2012/1/22/archizines.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/22/archizines.html"/><author><name>Philip Wood</name></author><published>2012-01-22T17:58:49Z</published><updated>2012-01-22T17:58:49Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><img title="ARCHIZINES.jpg" src="http://www.philipwood.com/resource/ARCHIZINES.jpg?fileId=16170610" border="0" alt="ARCHIZINES" width="450" height="297" /></p>
<p>What starts as an interest turns into an&nbsp;obsession evolves into a blog and then flourishes into an exhibition, or so is the life of the project&nbsp;<a href="http://archizines.com/" target="_blank">ARCHIZINES</a> by Elias Redstone a meticulous and broad reaching look into the world of architecture zines. A niche market no doubt but on investigation a market that is well supplied with the devoutly practiced art of graphic and scholarly investigation. The site is well worth an hour or two look into with a digestible pr&eacute;cis of the publication and link to it's online home the hour could easily reach in to two or three, be warned.</p>
<p>I'm reminded of&nbsp;<a href="http://www.clipstampfold.com/" target="_blank">Clip Stamp Fold</a> which charts the architectural magazine explosion of the 1960's and 70's.</p>
<p>Read more...</p>]]></summary></entry><entry><title>Arik Levy Cage and In &amp; Out</title><category term="Arik Levy"/><category term="Design"/><category term="Furniture"/><category term="Lighting"/><category term="maison &amp;amp; objet"/><id>http://www.philipwood.com/blog/2012/1/19/arik-levy-cage-and-in-out.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/19/arik-levy-cage-and-in-out.html"/><author><name>Philip Wood</name></author><published>2012-01-20T01:50:08Z</published><updated>2012-01-20T01:50:08Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 450px;" src="http://www.philipwood.com/storage/MAISONOBJET---Parc-des-Expositions---January-2012-_-Ldesign---Arik-Levy---Pippo-Lionni.jpg?__SQUARESPACE_CACHEVERSION=1326997560891" alt="" /></span></span>Showcasing at Maison &amp; Objet this month in Paris,&nbsp;<a href="http://ldesign.fr/domain/project/photo/1238/1239#http://ldesign.fr/sites/default/files/ldesign-arik_levy-maison_et_objets-01b_0.jpg?1326963534">Arik Levy</a>'s new&nbsp;<a href="http://www.forestier.fr/produit-lampadaire-cage-rouge_46.php">Cage</a> and In &amp; Out lighting products for&nbsp;<a href="http://www.forestier.fr/index.php" target="_blank">Forestier</a>. The mashup of chinese paper lantern and the appropriated form of the storm lanterns frame works really well as the visual language is so familiar to us.</p>
<p>There have been several explorations into the lantern of late, some purely object orientated yet exquisitely beautiful such as Barber Osgerby's&nbsp;<a href="http://www.barberosgerby.com/work/limited-editions/102/">Lanterne Marine</a> featuring hand blown Murano glass vessels encompassed by wire framing being one of my favourite and others more functional yet still very precious&nbsp;<a href="http://mattermatters.com/product.asp?id=636" target="_blank">Lantern Suspended</a> by our friend&nbsp;<a href="http://readymadeprojects.com/" target="_blank">Stephen Burks</a> for MatterMade</p>]]></summary></entry><entry><title>Audi at CES</title><category term="Audi"/><category term="Audi lights"/><category term="CES"/><category term="Design"/><id>http://www.philipwood.com/blog/2012/1/17/audi-at-ces.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/17/audi-at-ces.html"/><author><name>Philip Wood</name></author><published>2012-01-17T21:01:00Z</published><updated>2012-01-17T21:01:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><img title="audi0.jpg" src="http://www.philipwood.com/resource/audi0.jpg?fileId=16066650" border="0" alt="Audi0" width="600" height="418" /></span></span></p>
<p>Electronics and Automobiles are still attempting to merge in ways they probably should have years ago, the showing at this years <a href="http://wheels.blogs.nytimes.com/2012/01/12/audi-mounts-technology-blitz-at-c-e-s/">CES in Las Vegas </a>only goes to highlight how far behind we really are as people such as Audi offer a bewildering array of propositions for the future of heads up display that surely should already be with us.</p>
<p>However this years booth by Audi is really a talking point, showcasing the attention to detail and commitment to the experience of a brand who's captured the imagination and attention of car enthusiasts all over the world.&nbsp;Take a closer look after the jump...</p>
<p>&nbsp;</p>]]></summary></entry><entry><title>Occupy London Newspaper</title><category term="Occupy London"/><category term="newspaper"/><category term="occupy"/><category term="tech"/><id>http://www.philipwood.com/blog/2012/1/10/occupy-london-newspaper.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2012/1/10/occupy-london-newspaper.html"/><author><name>Philip Wood</name></author><published>2012-01-10T20:02:09Z</published><updated>2012-01-10T20:02:09Z</updated><content type="html" xml:lang="en-US"><![CDATA[<p><img title="dsc02054569_1.jpg" src="http://www.philipwood.com/resource/dsc02054569_1.jpg?fileId=15967063" border="0" alt="Dsc02054569 1" width="569" height="378" /></p>
<p>There has been much talk about the digital revolution helping and supporting the recent political revolutions North Africa and the Middle East, how social media is the samizdat of the internet age (I think <a href="http://www.amazon.com/Net-Delusion-Dark-Internet-Freedom/dp/1586488740">Evgeny Morozov</a> has a carefully thought out rebuttal of that overenthusiastic and disturbingly simplified view of our current situation) So it's interesting to see value of the printed word become partly recognized in the Occupy London movements attempt to realign our civilization from the monocultural global capitalism that seems to have been the last and only word in the economic lexicon of late.</p>
<p>On it's 8th issue the newspaper is now a 20 page affair, designed by <a href="http://www.bricktz.com/">Bricktz</a> out of the UK whose commitment to political (I know that word feels a little out moded but please, look around, things are changing again) cultural and social concerns is both admirable and beautifully executed. I'll blog more about them later, for now take a look at some of the images after the jump and there's a link to an interview by Tzortzis Rallis on his vision and collaboration with <a href="http://occupylondon.org.uk/">Occupy</a>.</p>]]></content></entry><entry><title>Jet Airliner by Josef Hoflehner</title><category term="Art"/><category term="Graphic"/><category term="Photography"/><id>http://www.philipwood.com/blog/2011/9/27/jet-airliner-by-josef-hoflehner.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2011/9/27/jet-airliner-by-josef-hoflehner.html"/><author><name>Philip Wood</name></author><published>2011-09-28T00:47:28Z</published><updated>2011-09-28T00:47:28Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 450px;" src="http://www.philipwood.com/storage/04.jpg?__SQUARESPACE_CACHEVERSION=1272321726160" alt="" /></span></span></p>
<p>Josef Hoflehner's book <a href="http://www.amazon.com/Jet-Airliner-Josef-Hoflehner/dp/3902600063/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1254432167&amp;sr=8-1">Jet Airliner</a> is a wonderful collection of images of jets touching down over the beaches proximal to Princess Juliana International Airport in St. Maarten, Dutch West Indies. Many of these striking shots show beachgoing women slose to landing and departing airplaines in stark square compositions in full detail.</p>]]></summary></entry><entry><title>Carl Krull's Plate series</title><id>http://www.philipwood.com/blog/2011/9/25/carl-krulls-plate-series.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2011/9/25/carl-krulls-plate-series.html"/><author><name>Philip Wood</name></author><published>2011-09-26T00:47:00Z</published><updated>2011-09-26T00:47:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 450px;" src="http://www.philipwood.com/storage/Screen%20shot%202010-04-26%20at%203.16.39%20PM.png?__SQUARESPACE_CACHEVERSION=1272320276250" alt="" /></span></span></p>
<p>Danish artist Carl Krul has enacted a series of works on board simply titled "Plate" followed by the edition number of the series.&nbsp; Of these works, all were done in single sittings and videotaped from above. Viewable on Krull's <a href="http://www.carlkrull.dk/plate.html">website</a>, these videos detail the artists trial and error process from beginning to end, and depict&nbsp; the drawings in a fast-forward format. These videos allow a glimpse into the process of creating some very provocative figural illustration.</p>]]></summary></entry><entry><title>Playlist Magazine</title><category term="Design"/><id>http://www.philipwood.com/blog/2011/9/21/playlist-magazine.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2011/9/21/playlist-magazine.html"/><author><name>Philip Wood</name></author><published>2011-09-22T00:48:00Z</published><updated>2011-09-22T00:48:00Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 450px;" src="http://www.philipwood.com/storage/PLM_anim.gif?__SQUARESPACE_CACHEVERSION=1272318687032" alt="" /></span></span></p>
<p>Bold revolutionary design is something that publishing could use more of in these times of instability in printed media. Perhaps the clever and thoughtful layout and subtley sublime styling of Jonas Wandeler's magazine, taking format from LastFM's notion of suggesting other artists based on what you know you already like.</p>]]></summary></entry><entry><title>Extrusions by Thomas Heatherwick</title><id>http://www.philipwood.com/blog/2010/5/5/extrusions-by-thomas-heatherwick.html</id><link rel="alternate" type="text/html" href="http://www.philipwood.com/blog/2010/5/5/extrusions-by-thomas-heatherwick.html"/><author><name>Philip Wood</name></author><published>2010-05-05T11:00:21Z</published><updated>2010-05-05T11:00:21Z</updated><summary type="html" xml:lang="en-US"><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img style="width: 450px;" src="http://www.philipwood.com/storage/dznextrusionsheatheriwck031.jpg?__SQUARESPACE_CACHEVERSION=1272322837236" alt="" /></span></span></p>
<div class="navigation"><!-- default -->Heatherwick studio has released an exciting line of extruded furniture, made from the largest extrusion machiene in the world from the world of aviation manufacturing. These extruded aluminum benches exibit wild biomorphic forms that are simply the result of the extrusion process. Once crafted these benches are meticulousley hand polished for at least 300 hours. These benches are remarkable, but merely a step towward Heatherwick's goal of eventually producing a 100 meter bench made from a single material, with no joints.</div>]]></summary></entry></feed>
